Genre: Short stories, Horror, Fantasy, Mainstream
Year: 2005
Pages: 304
Publisher: PS Publishing
Followed by: Heart Shaped-Box
Contents:
- Best New Horror
- 20th Century Ghosts
- Pop Art
- You Will Hear the Locust Sing
- Abraham's Boys
- Better Than Home
- The Black Phone
- In the Rundown
- The Cape
- Last Breath
- Dead-Wood
- The Widow's Breakfast
- Bobby Conroy Comes Back from the Dead
- My Father's Mask
- Voluntary Committal
Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945....
Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town....
Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....
John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....
The past isn't dead. It isn't even past... (goodreads.com)
Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town....
Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....
John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....
The past isn't dead. It isn't even past... (goodreads.com)
“My best friend when I was twelve was inflatable. His name was Arthur Roth, which also made him an inflatable Hebrew, although in our now-and-then talks about the afterlife, I don’t remember that he took an especially Jewish perspective.”
"My head was muddy. I was only half awake. I needed to pee. I had to get warm. I rose and floated to the bathroom through the dark, the smallest blanket thrown over my shoulders to keep the cold off. I had the sleep-addled idea that I was still balled up to stay warm, with my knees close to my chest, although I was nevertheless moving forward. It was only when I was over the toilet, fumbling with the fly of my boxers, that I happened to look down and saw my knees were hitched up, and that my feet weren't touching the floor. They dangled a full foot over the toilet seat."
20th Century Ghosts is an anthology of short stories written by Joe Hill - his first works gathered together and published as a collection. I already read, enjoyed and reviewed his two other novels (Heart-Shaped Box and Horns), so when I reached for this book I more or less knew what to expect and I was very excited to find out if Joe Hill is as good at writing short stories, as he is at writing full length novels. And he is. He really is good.
In 20th Century Ghosts one can find all sorts of short stories. Not all of them are horror stories, by the by. You can find some fantasy stories here, some skillfully written supernatural as well as disquieting mainstream one. Each of them is a masterpiece of some sort. If I were to chose my favorite one of them, I honestly think I would spend the whole life deciding, they're all really amazing, captivating and breath-taking. Joe Hill managed to write really thrilling and unsettling stories without making them horrific or gruesome. As Christopher Golden said in his introduction to Joe Hill's book, "Most of those who practice the art of the unsettling far too often go for the jugular, forgetting that the best predators are stealthy." Well, it's hard not to agree with him, right? In this case however you don't have to worry about the jugular at all, Joe Hill has more than one trick in his bag, he knows exactly which strings to pull to make his readers scared, he's elegant and even tender in his writing, oh-so-very subtle, one stealthy predator indeed.
I was deeply impressed by Hill's writing style. The stories he tells are deep and engaging, they resonate deeply. His purpose is not only to scare his audience, but to give them the opportunity to actually feel the story, providing the emotional response necessary for the story to really be successful.
I enjoyed every word, for every word in this book had a meaning. There was no pointless blabbing, no long and useless description, not a single page was a waste of paper and ink.
Every story in this collection was like a strong punch in the jaw, delivered by highly trained fighter of words. By the end of the book I was totally knocked down, left gasping for air, wanting more..